When in Doubt, Split It
Features:
- Split audio into βTransientβ and βTonalβ components
- Radically re-shape a sound by soloing the Tonal and Transient channels. Tighten up drums by dropping the tonal section, or tune a guitar into an ambient sweep by losing the transients
- Split, modify and reassemble any sound
- Fine-tune the split using the four βStructural Splitβ controls
- Six Transient effects available: Delay, Tap Delay, Dynamics, Phaser, Reverb, Gate + EQ
- Seven Tonal effects available: Delay, Compressor, Pitch, Chorus, Reverb, Tremolo, EQ
- Waveform display for clear tracking of Transient/Tonal audio in real time
- Artists presets include Richard Devine, Chris Carter, Suzanne Ciani, Joe Chiccarelli, John Agnello, Stewart Lerman, Steve Rosenthal, Kaitlyn Aurelia Smith and more
Six Transient Effects
- Delay – A standard Delay echo effect with Tempo Sync capability and low and high cut filtering
- Tap Delay – A multi-tap delay-line with Tempo Sync capability – useful for rhythmic delays, wacky comb filtering, volume swells, or unique reverberant sounds
- Dynamics – A combined Compressor/Limiter and Expander/Gate (function is determined by Ratio control)
- Phaser – A classic multi-stage allpass based Phaser effect, which can be controlled via LFO or Envelope
- Reverb – A room Reverb designed with high echo density, imparting a fast and smooth build-up of reflections – this pairs nicely with transient sounds to create a sense of space without obvious echo slap back
- Gate + EQ – A Gate followed by a 3-band overdrive-able EQ
Seven Tonal Effects
- Compressor – A standard Compressor/Limiter
- Chorus – Multi-voiced chorus with randomized modulation
- EQ – A 3-band overdrive-able EQ
- Delay – A standard Delay echo effect with Tempo Sync capability, modulation, and low and high cut filtering
- Reverb – A large space Reverb designed with lower echo density (compared to Transient Reverb) and targeted high modal density with little to no modulation to avoid a chorusing sound on the tails – this allows the tonal audio to breathe in the space, yet evolve into dense pad-like reverberant tails
- PitchShift – A 3-voice Pitch Shifter with +/- 1 octave shift per voice and an overall fine tuning control – useful for retuning drums, creating harmonies, or micropitch chorusing/double-tracking all without transient slap back or smearing
- Tremolo – A standard Tremolo effect which is driven by an LFO in (optional) combination with the Envelope of the plug-inβs input





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